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Part of a 4-tune one fateful New York night time, this club banger was re-recorded with producer Reggie Lucas after which remixed by Eighties club genius Jellybean Benitez. That night, at bedtime, amid Lawrence’s claims that he wasn’t drained (the basic signal of fatigue), Peter steered we let him learn until later than standard and turn his personal mild off - a tiny concession which now sounds positively Victorian. Gardner Cole and Peter Rafelson, who intended the tune to be recorded by Cyndi Lauper. The PG-rated fifth hit off of Like a Virgin is a snappy love pledge that is perhaps Nile Rodgers' funkiest manufacturing on the album, was mystifyingly flagged, alongside W.A.S.P.'s "Animal (Fuck Like a Beast)," in 1985 by the media watchdog group Parents Music Resource Center in its "Filthy Fifteen." The music grew to become a mode anthem for a technology of young Madonna wannabe's. Like the rest of her 2005 album, Confessions on a Dance Floor, "Hung Up" was recorded in the two-room London apartment of producer Stuart Price, reviving the stripped-down electro-sleaze momentum of her earliest information. Before William Orbit and Madonna began collaborating on her 1998 album, Ray of Light, the producer mailed over a DAT with 13 songs, together with an interpolation of Clive Maldoon and Dave Curtiss' Seventies psych-people epic "Sepheryn." Madonna adjusted the lyrics to capture more of a way of "wonderment," the feeling of "trying at the world lastly together with your eyes open… A ray of light to me is hope. We're zooming forward, however that does not imply you may lose touch with the spiritual aspect of issues." Sonically, the tune was more than only a leap into futuristic electronica - its complex breakbeats, clanging guitars and grooved-out organs were topped with Madonna's most powerfully sung vocals to this point, the results of vocal coaching she'd done for her position in the 1996 movie Evita.